Adrik waited in the guard’s room a couple of corridors along from Kornfeld’s cell. There was only one way out, so the Jew had to pass this room. He spun a Makarov on his finger, aimed at imaginary targets and thrilled at the thought of using it. The gun was standard issue, but he would’ve chosen it anyway. Totally reliable, pull the trigger and out pop the bullets. The blowback design expels the spent case to the right and loads the next cartridge into the chamber – easy. And fully armed with eight rounds, he would use them all.
This wouldn’t be his first killing and sure as hell wouldn’t be his last. Kornfeld was a pain, and it was Otto who mattered. He would do anything for him. Why should he care about some Jew who got in the way?
But time dragged, and Kornfeld hadn’t yet made a show. For one horrible minute he thought there might be another way out – but no, that isn’t even possible. Calm down, be patient... Try as he might, he couldn’t, and the idea ran around his head, irritating him beyond measure.
He left the guardroom and paced the corridor outside. At first a short distance and then a bit further into the next passageway. No good – he had to find out what had happened. With gun in hand and footsteps stealthy he reached the cell door – it was slightly open. Oh shit, did that mean there was another way out? Or maybe Kornfeld had gone deeper into the prison block. Or maybe he was in the cell hoping the element of surprise would be with him.
Possibilities ganged up. Kornfeld knew Lubyanka well. What if there was another way out and that little bastard knew it? If so, Otto would kill him, never mind the Jew. He kicked the door fully open, slammed it against the cell wall, stood back and then moved in, pointing the gun around to make sure Kornfeld wasn’t hidden on either side of the opening. The cell was dimly lit and he found it difficult to see. He would stay put until his eyes got accustomed to the light. A body, he saw a body. It was covered with a greatcoat, on the bunk facing the wall.
He was clearly supposed to think it was Kornfeld. In that case he’d be under the bunk waiting... But then that’s obvious too, so he might be on top with the guard pushed underneath. That made more sense – it would be easier for him to make an attack from on top – but, shit, wouldn’t that be what he wanted him to think?
To be sure of the kill, Adrik wanted to shoot above and below – but he couldn’t. How would he explain the soldier’s death? Oh, Otto, if only Otto was there to tell him what to do. But he wasn’t, he had to make up his own mind. The Jew was on top – yes, definitely on top.
Cautiously, he edged forward, pointed the pistol to the back of the person’s head and pulled the body towards him with gun steady and ready to fire. As quickly as his huge form allowed, he pulled the greatcoat away.
Fuck! The guard! No time to react. A leg came from under the bunk with incredible speed and wrapped around the back of his. At the same time, the Jew’s other foot came against his knees and pushed. Adrik had brought his legs together when he tore the coat away and Kornfeld used the imbalance to his advantage. Adrik’s arms went out. He hovered awkwardly, then almost regained control, but Kornfeld pushed harder and Adrik went flying backwards with his legs in the air. A sense of suspension ended and he fell heavily, striking the hard stone floor. His head bounced, shudders chased through his brain and he found himself staring at the ceiling, wavering between conscious and unconscious.
The pain pierced his skull and he noticed his head had rested in a pool of warm liquid. He hadn’t seen that when he came in. Numbness consumed his body; he couldn’t move. But then his blurred vision saw the bleary outline of the Jew. Awareness came that his body was being rolled over. He was paralyzed, but it didn’t stop the surge of fear that ran through every fibre of his being.
Set against the backdrop of Soviet, post-war Russia, Birth of an Assassin follows the transformation of Jez Kornfeld from wide-eyed recruit to avenging outlaw. Amidst a murky underworld of flesh-trafficking, prostitution and institutionalized corruption, the elite Jewish soldier is thrown into a world where nothing is what it seems, nobody can be trusted, and everything can be violently torn from him.
Genre - Thriller, Crime, Suspense
Rating – R
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